Sounds of Glory essays

Sounds of Glory essays The 1957 film Paths Of Glory can be hailed as a cinematic stunning success because of director Stanley Kubricks unconventional use of sound aesthetics. He has a remarkably collective use of natural sound, music, and sound effects in this semi-fictional pacifist picture. The ambient sound that is profoundly evident throughout the film adds dimension to the otherwise generic combat atmosphere. The minimal use of music gives the audience an intense effect of continuous realism and sincere feeling of drama and stimulation. The authenticity in the film is achieved through sound effects that use superior sound perspective and presence. Kubricks density and astute knowledge of sound is apparent and reflected in his film Paths of Glory. Ambient sound is a significant aspect in this film. In many scenes where most directors would plug the negative with disproportionate use of music or soundtrack, Kubrick lets the ordinary illustrate through. In a scene where Commander General George Broulard (played by Adolphe Menjou), and General Paul Mireau (played by George Macready) this natural sound is prevalent. Scheming with restrained and influential urgings they interlace around each other in the lavish room of the chateau, the Generals influence echoes off the towering ceiling, as he urges himself into a seemingly impossible mission. The men danced around continuously, allowing the audience to hear the footsteps of the placid officers. Viewing this scene allows the audience to become a part of the action and hatred that is bonding the two together. Audience members no longer feel as a bystander but as an intricate part of the scene. The Sound perspective of sound effects is such an intricate part of the movie and only magnifies the atmosphere and emotion. Kubrick gives absolute perspective in not only battle scenes but in the entirety of the film. A great example this use is in a scene where guard soldiers draw ...